And Officer Zack Warren figures the lovely Lucy can lead him straight to his target. When her sister takes her to lunch to celebrate Lucy's single status, all their talk of a no-good louse named Bradley catches the attention of a cop-who wants to arrest the very same Bradley for embezzlement. Because despite standing her up in divorce court, Bradley is out of her life for good. In fact, her front lawn is littered with her cheating ex-husband's belongings. High school physics teacher Lucy Savage is finally getting rid of Bradley-and his hideous green recliner. One collision in a closet later, Tilda and Davy reluctantly join forces to combat Clea, suspicious art collectors, a disgruntled heir, and an exasperated hitman, all the while coping with a mutant dachshund, a juke box stuck in the sixties, questionable sex, and the growing realization that they can't turn their backs on the people they were meant to be.or the people they were born to love. Davy wants the money back, but more than that he'll do anything to keep Clea from winning, including break into her house in the dead of night to steal back his future.ĪND IF YOU'RE REALLY GOOD AT THEM, THEY BOTH PAY OFF. Meet the Dempseys, or at least meet Davy, a reformed con man who's just been ripped off for a cool three million by his financial manager, who then gallantly turned it over to Clea Lewis, the most beautiful sociopath Davy ever slept with. And lastly, Matilda, the youngest daughter, has inherited the secret locked down in the basement of the Goodnight Gallery, the secret she's willing to do almost anything to keep, even break into a house in the dead of night to steal back her past. There's Gwen, the matriarch who likes to escape reality, Eve the oldest daughter who has a slight identity problem (she has two), Nadine, the granddaughter who's ready to follow in the family footsteps as soon as she can find a set that isn't leading off a cliff. Meet the Goodnights, a respectable family who run a respectable art gallery-and have for generations.
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